Country music icon Garth Brooks' new book, "The Anthology Part IV: Going Home," offers a candid glimpse into a pivotal period in his life: his retirement from music in 2000 to focus on raising his three daughters in Oklahoma. This chapter, far from the glitz and glamour of his career, reveals a man navigating the complexities of fatherhood, divorce, and personal rediscovery.
Brooks describes this time as being "lost" in the best possible way, a period of profound learning and growth. He and his then-wife, Sandy Mahl, shared custody of their daughters, Taylor, August, and Allie, exchanging them daily. This routine, though challenging, underscored Brooks' commitment to being present in his children's lives.
The book recounts the shockwaves of Brooks' retirement announcement. Storme Warren, a broadcaster for Brooks' SEVENS Network, recalls the emotional press conference, capturing the disbelief of many who witnessed the superstar stepping away from his thriving career. Band member Dave Gant echoes this sentiment, sharing his initial skepticism about the permanence of Brooks' decision.
Brooks frankly discusses the struggles of his marriage ending amidst this transition. He emphasizes the importance of Mahl becoming his best friend during the divorce process, prioritizing the well-being of their daughters. Despite the pain of the separation, which he labels the "roughest time" in his life, they managed to co-parent effectively, even living separately on the same property in Oklahoma.
The book also highlights the transformative role of Trisha Yearwood, who married Brooks in 2005. Songwriter Bryan Kennedy notes Yearwood's positive influence, describing her as the "difference" in Brooks' life. Brooks himself praises Yearwood for providing a strong female role model for his daughters, further enriching their family dynamic.
"The Anthology Part IV: Going Home" offers an intimate portrait of a music legend prioritizing family and embracing the challenges and rewards of fatherhood, showcasing a different side of Garth Brooks beyond the stage.
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